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This is one of the densest sermons in Nahj al-Balaagha.

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It's called Khutbat al-Ashbaah, the Sermon of the Figures.

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And if you try to read it line by line, from the top, you will drown.

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So we're not going to do that.

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We're going to learn it the way an expert learns anything.

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Big picture first.

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Then the moving parts.

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And only then, the details.

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Here's the mistake most people make with a text like this.

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They start at line one.

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They look up every rare word.

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And they try to hold all of it in their head.

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Twenty minutes later, they have a pile of facts, and no idea what the sermon is actually saying.

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The problem is, your brain doesn't store isolated facts very well.

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It stores relationships.

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So we build the frame first, and then we hang the details on it.

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Four layers.

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Layer one, the logic.

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What is the whole thing doing?

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Layer two, the concepts.

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The few big parts, and how they connect.

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Layer three, the details that make those concepts concrete.

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And layer four, the arbitrary details.

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The vocabulary, the footnotes.

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We leave those for last.

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Or never.

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Let's start with the setting, because it holds the key to everything.

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In Kufa, a man comes to Imam Ali and says:

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صِفْ لَنَا رَبَّنَا لِنَزْدَادَ لَهُ حُبّاً وَبِهِ مَعْرِفَةً

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Describe our Lord to us, so we can love Him more, and know Him better.

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And Ali gets angry.

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He calls the people together until the mosque is packed.

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He climbs the pulpit, his face changed, praises God, sends blessings on the Prophet, and begins.

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Now, pause on that.

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Why would a question that sounds so sincere make him angry?

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I want you to actually make a guess.

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Because everything that follows, the whole sermon, is the answer to that question.

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So here is layer one.

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The whole sermon, in one breath.

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You can't describe God by picturing Him.

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The human mind cannot measure Him.

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But you can know Him, through two doors.

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What He has told you, in revelation.

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And the signs in what He has made.

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And real knowledge of God doesn't end in a neat definition.

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It ends in awe, in humility, and in turning to Him in need.

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That's the answer to the man.

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He asked for a picture.

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Ali gives him a method.

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And commentators read the anger in that light:

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it's aimed at the idea behind the request, describing God the way you would describe a thing.

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Layer two.

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The concepts.

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The sermon has five big parts.

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Part one, generosity.

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Who God is.

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He gives without losing anything, and He is beyond time and place.

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Part two, the boundary.

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Don't measure Him by the size of your mind.

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Follow what revelation tells you.

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Part three, creation as proof.

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A grand tour, from the sky, to the angels, to the earth, to humanity.

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Part four, total knowledge.

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His knowledge reaches all the way down to the winter home of an ant.

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And part five, the prayer.

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Ali stops talking about God, and starts talking to Him.

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Notice the shape.

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It's like a zoom lens.

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It starts with the infinite.

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It sets the rules.

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Then it zooms from the heavens all the way down to an ant.

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And then it turns, and speaks directly to God.

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Before you go further, I want you to sketch these five boxes yourself.

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Seriously, pause and draw them.

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The act of drawing the map is what makes it stick, not watching me draw it.

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Now layer three, the details, but only the ones that make each part concrete.

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Part one opens like this:

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لاَ يَفِرُهُ الْمَنْعُ وَالْجُمُودُ، وَلاَ يُكْدِيهِ الإِعْطَاءُ وَالْجُودُ

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Withholding does not make Him richer, and giving does not make Him poorer.

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Why start here?

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Because the man wanted to love God more.

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And Ali starts with the thing that makes you love someone.

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Generosity.

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But it's a strange kind of generosity.

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When a person gives, they have less.

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When God gives, it costs Him nothing.

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Then the details stack up.

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He is just as generous with what you didn't ask for as with what you did.

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He is the First, with nothing before Him, and the Last, with nothing after.

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Time doesn't change Him.

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No place holds Him.

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And if He gave away every treasure the mountains and the seas have ever produced, gold, silver, pearls, coral, it wouldn't dent what He has.

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So right from line one, there's a thread.

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Every description is built to stop you from picturing God like us.

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Keep an eye on that thread.

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It runs through everything.

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Part two is the hinge of the whole sermon.

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Ali turns to the questioner directly.

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Look at what the Quran shows you of His attributes, and follow it.

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Take light from it.

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And whatever Satan pushes you to know, that isn't in the Book, or in the way of the Prophet and the guiding Imams, leave that knowledge to God.

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Then comes a beautiful redefinition.

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Who are the ones firmly rooted in knowledge, ar-raasikhoona fil-ilm?

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Not the people who know everything.

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They are the people whose admission of what they don't know keeps them from trying to force the barriers around the unseen.

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God praised that admission, and called it rootedness.

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And then the warning:

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وَلاَ تُقَدِّرْ عَظَمَةَ اللهِ سُبْحَانَهُ عَلَى قَدْرِ عَقْلِكَ فَتَكُونَ مِنَ الْهَالِكِينَ

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Do not measure God's greatness by the size of your own mind, or you will be among the ruined.

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He paints it as a picture.

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Minds rush out like scouts, trying to find where His power ends.

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Hearts strain to grasp how His attributes work.

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And they are turned back.

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They return, admitting that His essence can't be reached this way.

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Here's the learning lesson hiding in this:

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knowing the limits of what you can know is part of real understanding.

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Ali makes it a virtue.

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So if we can't picture Him, how do we know Him at all?

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Door number two.

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His works.

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فَصَارَ كُلُّ مَا خَلَقَ حُجَّةً لَهُ وَدَلِيلاً عَلَيْهِ، وَإِنْ كَانَ خَلْقاً صَامِتاً

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Everything He created became a proof for Him and a pointer to Him.

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Even the silent things.

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Their design speaks for them.

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And He made it all with no model to copy from.

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So creation points to its Maker.

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But immediately, Ali blocks the opposite mistake.

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Whoever compares God to the creatures He made, with their limbs and their joints, has not known Him.

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So here's the key concept of the whole text.

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Creation points to Him.

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But He does not resemble it.

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You have to hold both at the same time.

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If you only remember one idea from this video, make it that one.

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Then Ali takes us on a tour.

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And this is where most readers get lost, because the language is extremely rich.

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So let's keep it in its frame.

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Four stops.

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Stop one, the heavens.

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He arranged their gaps with nothing holding them up.

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They were smoke, and He joined them.

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He made the sun a seeing sign for the day, and the moon a fading sign for the night, so we can tell them apart and count the years.

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Stop two, the angels.

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And this is where the sermon gets its name.

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Ashbaah means figures, or forms.

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Here it means the angels.

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They come in many forms, with wings in twos and threes.

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No doubt shakes them, no envy divides them, no tiredness slows them.

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Some have feet in the lowest earth, like white banners piercing the air.

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And there isn't a hand-span of the heavens without an angel bowing, or hurrying in service.

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There's one line here I want you to notice.

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يَزْدَادُونَ عَلَى طُولِ الطَّاعَةِ بِرَبِّهِمْ عِلْماً، وَتَزْدَادُ عِزَّةُ رَبِّهِمْ فِي قُلُوبِهِمْ عِظَماً

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The longer they obey, the more they know their Lord, and the greater His might grows in their hearts.

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Look at the pattern.

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They know Him better than anyone.

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And they are the most humble.

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Their backs are bent from long obedience, and they never think their past worship is a lot.

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That's what the boundary from part two looks like in real life.

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And there's a learning principle in here too.

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Their knowledge grows through doing, through long practice, not just through thinking about Him.

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Back to the tour.

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Stop three, the earth.

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He pressed it down onto raging waves, which Ali describes like wild stallions, until the water is tamed under its weight.

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Mountains steady it.

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Springs burst out from the peaks.

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And for high land that the rivers can't reach, He sends clouds, lightning, and rain, until the bare hills put on flowers.

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Stop four, humanity.

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Adam, the garden, the one thing forbidden, the slip, the repentance, and being sent down to fill the earth.

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Then prophets, generation after generation, until Muhammad.

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And provision split into plenty and scarcity, to test gratitude in the rich and patience in the poor.

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Ease paired with hardship.

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Joy with grief.

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Lifespans long and short, all cut by death.

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Now ask yourself:

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why this order?

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Try to answer before I do.

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It moves from the vast to the near, and it ends with you.

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Your own life, your wealth or your poverty, your joys and your losses, are part of the evidence.

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Part four.

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The zoom goes all the way in.

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He knows:

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Where the ant spends its summer, and where it spends its winter.

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Where the mosquito hides in the bark of a tree.

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How fruit grows inside its sheath.

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Where every leaf joins its branch.

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The faint sound of a footstep.

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The yearning of a grieving mother.

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Birds singing in their dark nests.

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Every lip that moves.

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The weight of every single atom.

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Now, here's a question that should bother you.

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Earlier, Ali told us not to dig.

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So why all this detail now?

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Because it's a different direction.

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We can't dig into His essence.

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But we can look outward, at the detail of His knowledge in the world, and that is endless.

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Same humility, opposite direction.

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And none of it tires Him.

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His knowledge reaches them, His count numbers them, His justice covers them, and His grace floods them, even though they fall short of what He deserves.

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And finally, part five.

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The turn.

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Ali stops talking about God, and starts talking to Him.

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He says:

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this kind of praise, I won't spend on anyone but You.

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Everyone who praises someone hopes for a reward.

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So I'm hoping You'll guide me to the treasures of Your mercy.

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I have a need, and only Your grace can mend it.

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And then:

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وَأَغْنِنَا عَنْ مَدِّ الأَيْدِي إِلَى مَنْ سِوَاكَ

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Free us from stretching out our hands to anyone but You.

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That's the real answer to the man's question.

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He wanted to know God, and love Him more.

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Ali shows him where knowing leads.

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Not to a picture.

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To need, to hope, and to depending on God alone.

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Now let's do the expert move.

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Don't just store the parts.

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Connect them.

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The sermon opens with a Giver who loses nothing by giving.

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And it closes by asking that same Giver to make us need no one else.

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The first line is the reason for the last line.

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If He loses nothing by giving, why would you stretch your hand to anyone else?

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And the middle holds it together.

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The boundary in part two, admitting what you can't reach, is lived out by the angels.

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They know Him most, and they are the most humble.

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And Ali models the same humility in his prayer.

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When you can see links like these, you understand the sermon.

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You're not just remembering it.

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So, here's what I want you to do next.

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Don't re-watch this video.

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Instead, try to answer these four questions from memory.

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Why did the question anger Ali, and how is the whole sermon an answer?

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What are the two doors, and the one wall?

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Why does the tour move from the heavens down to an ant?

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And how does the first line connect to the last?

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Then draw the five-box map, and add one detail to each box.

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00:12:42.609 --> 00:12:44.997
Only then, go and read the full text.

237
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You'll find the details suddenly have somewhere to land.

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00:12:48.613 --> 00:12:51.711
And when you hit a rare word, that's layer four.

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00:12:51.711 --> 00:12:54.100
Look it up, but keep it in its place.

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Big picture first.

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00:12:56.364 --> 00:12:57.278
Details last.

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That's how you learn a text like this, and honestly, that's how you learn almost anything.
